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Dave Grohl & Taylor Hawkins, Seattle, 1997

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  • Print Details

    About this photograph

    Hawkins, who had toured as Alanis Morissette’s drummer, volunteered for the Foo Fighters’ open drummer position in 1997. He called Dave Grohl after hearing the band needed a drummer. Grohl asked, “you know any?” and Hawkins shot back, “How about me, you asshole?” Grohl, assuming Hawkins might see the Foo Fighters as a demotion after a sold-out stadium tour, was surprised by his enthusiasm and offered him the role. Hawkins’ entry into the band sparked the formation of a 25-year friendship. “Our bond was immediate, and we grew closer every day, every song, every note that we played together. I am not afraid to say that our chance meeting was a kind of love at first sight,” Grohl said. They remained close until Hawkins’ untimely death in 2022. Photograph by Charles Peterson.

    Print sizes and editions 

    8.5" x 11" - Open edition

    11" x 14" - Edition of 25 or 75

    16" x 20" - Edition of 25 or 75

    20" x 24" - Edition of 25

    24" x 36" - Edition of 15

    30" x 40" - Edition of 10

    Print type

    Archival pigment print

    Paper type

    Archival papaer

    Signature

    Hand signed by photographer 

    About the photographer

    Charles Peterson is an American photographer renowned for documenting the Seattle grunge music scene in the late 1980s and early 1990s. As the primary photographer for Sub Pop Records, his dramatic, black-and-white, flash-heavy style captured bands like Nirvana, Pearl Jam, and Soundgarden, shaping the visual aesthetic of the era.

    © Charles Peterson. All rights reserved. Not to be reproduced without permission.

Print Details

About this photograph

Hawkins, who had toured as Alanis Morissette’s drummer, volunteered for the Foo Fighters’ open drummer position in 1997. He called Dave Grohl after hearing the band needed a drummer. Grohl asked, “you know any?” and Hawkins shot back, “How about me, you asshole?” Grohl, assuming Hawkins might see the Foo Fighters as a demotion after a sold-out stadium tour, was surprised by his enthusiasm and offered him the role. Hawkins’ entry into the band sparked the formation of a 25-year friendship. “Our bond was immediate, and we grew closer every day, every song, every note that we played together. I am not afraid to say that our chance meeting was a kind of love at first sight,” Grohl said. They remained close until Hawkins’ untimely death in 2022. Photograph by Charles Peterson.

Print sizes and editions 

8.5" x 11" - Open edition

11" x 14" - Edition of 25 or 75

16" x 20" - Edition of 25 or 75

20" x 24" - Edition of 25

24" x 36" - Edition of 15

30" x 40" - Edition of 10

Print type

Archival pigment print

Paper type

Archival papaer

Signature

Hand signed by photographer 

About the photographer

Charles Peterson is an American photographer renowned for documenting the Seattle grunge music scene in the late 1980s and early 1990s. As the primary photographer for Sub Pop Records, his dramatic, black-and-white, flash-heavy style captured bands like Nirvana, Pearl Jam, and Soundgarden, shaping the visual aesthetic of the era.

© Charles Peterson. All rights reserved. Not to be reproduced without permission.

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