Charlie Parker with Tommy Potter, NY 1949 by William "PoPsie" Randolph
Charlie Parker's style of composition involved interpolation of original melodies over existing jazz forms and standards, a practice known as contrafact and still common in jazz today.
Dillion ‘Curley’ Russell, a member of the Tadd Dameron Sextet. In his heyday he was in demand for his ability to play at the rapid tempos typical of bebop, and appears on several key recordings of the period.
William “PoPsie” Randolph was the preeminent paparazzo photographer of the New York music scene from the 1940's through the 1970's.
Archival Pigment Print
8" x 10"
11" x 14"
14" x 14"
16" x 20"
© Mike Randolph. All rights reserved. Not to be reproduced without permission
Regular white matboard - Regular foam backing board - Regular plexiglass - Black wood frame
Acid free backing board - UV protection plexiglass - Black wood frame
Acid free backing board - 8-ply 100% Cotton rag matboard - Museum grade non-reflective plexiglass - Black stained ash hardwood frame