Charlie Parker with Tommy Potter, NY 1949 by William "PoPsie" Randolph


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Charlie Parker's style of composition involved interpolation of original melodies over existing jazz forms and standards, a practice known as contrafact and still common in jazz today.

Dillion ‘Curley’ Russell, a member of the Tadd Dameron Sextet. In his heyday he was in demand for his ability to play at the rapid tempos typical of bebop, and appears on several key recordings of the period.

William “PoPsie” Randolph was the preeminent paparazzo photographer of the New York music scene from the 1940's through the 1970's.

Archival Pigment Print

Estate stamped

10" x 10" paper size

14" x 14" paper size 

20" x 20" paper size

36" x 36" paper size

© Mike Randolph. All rights reserved. Not to be reproduced without permission

Framing Options


  • Acid free backing board
  • 4-ply 100% Cotton rag matboard
  • UV protection plexiglass
  • Black wood frame


  • Acid free backing board
  • 8-ply 100% Cotton rag matboard
  • Museum grade non-reflective plexiglass
  • Black stained ash hardwood frame